Since I’ve been doing so much work with Goddess-focused oracle decks and also exploring pantheons in general, I put together this little worksheet to aid in tracking those experiences. It isn’t just for deities though. I will probably use this for ancestor work and any other entity, animal, plant, et al, that may teach me something, show up for a chat, or pique my interest in general.
Right now, I’ve been doing a monthly draw from whichever of my Goddess decks feels right. For December, Hekate is who I’m researching, meditating on her message, et cetera. Sometimes during tarot or meditations, I will connect with family members and so I will be using this worksheet moving forward just to jot down messages and details from that meeting.
Another example of how I plan to use this is to create an entry for frogs. For a period of time I had frogs appearing in my life. They showed up a lot with my car. The first time I ever saw the car itself it was fresh from the dealer. We opened the trunk and out hopped the tiniest of frogs. There was an occasion when my mother went into the hospital that I noticed a frog just hanging out on the driver’s rear fender as I was getting her wheelchair out of the trunk in front of the hospital. Another time I distinctly remember was after work when I had stopped off at the grocery store to pick up a few things. I was hunting for a parking spot and I noticed something through the windshield. It was a frog just hanging out on the center of my hood people-watching as I stalked exiting shoppers up and down the aisles of the parking lot. There was also the time I scored a little part time job for quick cash and came out to the car to find another tiny little frog sitting on the front my car. Quite often they would thump up onto my bathroom window late at night or chill on the walkway and greet us (along with some toads) as we returned from a doctor’s visit or errands.
I’ve lived my whole life in Florida and spent a majority of it in this area and I have never seen frogs (or toads) like that. They often brought us a lot of joy after a long stressful day or following some less than great news at a check-up. After my mother died, I stopped seeing them altogether.
The PDF is super easy to use and can be printed double sided to a single sheet. There’s a framed corner to draw or attach a photo and a space to put the date at the very bottom. This will be going into my Book of Shadows and so will be printed on rather nice paper and slipped into a sheet protector (my book is a three ring binder). If you need the space along the margins for attaching the sheet into your book, it’s usually rather easy to shrink the document by 5-10% in the print dialogue to free up that space.
Hekate (from The Goddess Oracle by Amy Sophia Marashinsky) is my guide for December.
For the last couple of months, I have pulled Goddess cards from whichever oracle deck has responded. My request is for a goddess (or multiple) to connect with, to look to, to learn from in order to meet the month’s challenges and continue on my journey. This particular deck is one that I’ve had for a while, but hadn’t (until tonight) responded to my energy.
When Hekate popped out, I saw her and felt a wave of sadness. Part of me, the old me, has to die. I have to let her go. I know this has been coming and not just because of all the times the Death Card has appeared in my personal tarot readings. But I’ve felt the increasing push towards change, towards a crossroads as well.
As a young Gemini, I discovered how to transform my exterior to change what I felt inside. If my heart got broken or something negative happened in my life I changed my hair, my appearance, New clothes, different swagger. I’d delete all my social media, photos, journal entries. A complete data wipe and new image of a better OS went on my metaphorical hard drive. Looking back, this is quite the example of Glamour Magick. But I was doing this all the way back in high school, maybe middle school before I first explored witchcraft. I wasn’t erasing memories per se, because I’m still sentimental and hold onto certain items from people. But anything written or illustrated that cataloged hurt, confrontation, disappointment, whatever, I’d dump it. Even burn it. This ability to manipulate my appearance is also why I enjoy makeup and costumes/cosplay so much. It’s the reason why I can use a photo of my face on social media and still be in the broom closet. That’s me, but not the version of me my family or colleagues see. They don’t know her. They wouldn’t recognize her — me in that form if we passed on the street.
I know I’ve been inactive on here for most of October and now November. My family has been hit with some major health issues. We are okay, but suffered some financial setbacks because of it. Thankfully, it seems everything will be back to normal on the health side of it with time.
I’m still waiting for a couple things to shake out before I can say one way or the other if I will have time to get back into posting more regularly on here and Instagram. Bills gotta get paid.
Many of us don’t realize that it isn’t just about being sick and recovering. Both require time and not every employer or employment contract allows for either. I’m not afraid at this point, though the worst case scenario (financially) is a real possibility. The waiting for others to make a decision about our future is the worst.
There are a few little money-related workings that I will be doing just to try and tip the scales in our favor to get us through this.
It’s easy for financial pundits to tell a family that they need three months worth of income saved in the bank. What is that, twelve syllables? Life happens though. That doesn’t mean we live beyond our means or are irresponsible with money. Shit happens. And I wish people would stop shaming others about it.
The most important part is that my family member is alive and will seemingly make a full recovery. Their long-term health and ability to generate income are still up in the air. So the balance of that responsibility is shifting.
While the cards were moving nicely during the start of shuffling, they tightened up on me a fair amount when asking questions. To work past that, I kept shuffling and slowly began working my way through different versions of the question until I felt the flow come back. In parentheses is the the challenge’s originally worded query.
After posting the shorter version of this exercise on my IG, I’ve had a little while to think about everything written below. I know that I took a bit of a liberty with adjusting the scope of the questions for this exercise. Though the cards wanted to talk about what they wanted, there is an area of materialism that I need to address.
I will say that in the past I have been reluctant to unpack out of fear (a-ha!) that something will happen and I’ll have to repack and move. There has been a lot of instability in the last dozen years regarding my family’s financial situation. Even before having to walk away from a house and being forced into giving up things that meant so much to me (eg: my grandfather’s desk, the china hutch and dining room table that was an anniversary gift to my grandmother that they worked on together), I had stepped into a lifestyle where I was living out of suitcases. The travelling back and forth was so frequent that the only time I really ever thought it was worth the time to unpack was to do laundry.
Prior to beginning, I usually read through the exercise to make sure I understand the purpose and that I have everything I need. That knowledge then carries over into my pre-reading meditation where I give thanks, do a bit of praying, let go of things troubling me from earlier in the day, and just get centered. My prayer for this exercise was to learn how to find the balance between producing the highest quality work and also being in the moment and enjoying the process.
To add some extra information here, I took on a client a short time ago and recently declined the offer to come on-board full time as they had originally hired me only for a relaunch project rather than a more permanent management position. They exhausted their original retainer and a few days ago I sent them a follow up invoice billing the hours accumulated over and above the original amount. This wasn’t a surprise as they had asked specifically about paying for the time I’ve worked and whatever they owe. Typically, I receive payment within hours electronically. I know in my heart of hearts that not only was my rate and billing to them fair-to-generous (they are family friends), but I did excellent work even if they complained I was too detail oriented and working to far ahead.
Straight out of the gate there is one major difference between this deck’s guidebook and the guidebooks of the others. It’s written for an audience that wants to work with deity or already does. Now, this doesn’t mean this is a requirement to use this deck, but rather that there’s quite a large chunk of content that is ritual-focused. I mentioned this in my condensed IG post about this deck that I think anyone who is Pagan, Wiccan, a Witch, anyone who connects with or wishes to invoke Goddesses is going to really get along well with this set.
There are some ritual basics outlined in the introductory section of the book like casting a circle and getting grounded. I really dig the emphasis on exposing the reader to different elements and styles of ritual and then encouraging them to make their own, to individualize their rituals in general. It’s like Roger Horne said in his Folk Witchcraft book (paraphrasing here), magick and ritual that is not personalized can be rather hollow.
[Note: I rewrote this somewhat extensively compared to the original post on Instagram. Over the intervening days, I’ve given these cards and information additional thought. This is reflected in the revision published below.]
Prudence, Gain, and Wealth are the focus of the second exercise from the Lamp Lighter Challenge hosted by Hermit’s Mirror. The three decanic minors for Virgo in the Osho Zen Tarot are Ordinariness (Eight of Pentacles), Ripeness (Nine of Pentacles), and We Are the World (Ten of Pentacles).
When I do these challenges, I cleanse the deck beforehand and turn the cards right way up. That way, if there are reversals that pop up, I know it’s from fresh energy on the deck. In light of seeing that all the response cards are showing up reversed or mirrored to the focus cards drives home to me the point that these answers are within the context of what’s going on inside of me.
This is not a book I would put into the hands of a young witch. And by ‘young’, I mean a few different sets of people. 1) Actual witchlets, pre-teens, and teens. 2) Witches of any age that are immature or reckless in their judgment. A nice way I usually say this is ‘young and impulsive’. And 3) those who are new to the path.
I put this warning of sorts here because depending on the reader’s culture, spiritual background, and other contextual factors, some of the suggestions and workings offered here could get some people into trouble. A little bit of knowledge can be dangerous.
For the record, I come from a Christian religious family, but have had folk Catholicism, Santeria, Hoodoo, Voodoo, and similar practices around me for much of my childhood and they have shaped my personal practice. Witchy Floridians – and I would even venture to say Spiritually Aware Floridians – have not only a very interesting relationship with the magick and spiritual systems from a variety of cultures, but we also have a way of reconciling them with the heavy Southern Christian roots that grow deep around us.
Sun Lamp is the title of the first exercise for this Virgo Season’s tarot challenge hosted by the amazing Thomas of Hermit’s Mirror. I felt so drawn to participate in this because I have found my drive for perfectionism to be paralyzing. It’s good to want to be great. But when the self-criticism gets to be so loud that you can’t even hear yourself think and you’re up to your neck swimming in anxiety, it’s time to assess.
If I can get in touch with this energy and do some shadow work to repair anything that is exacerbating the negative sides of Virgo energy, I want to do it. I’m at a place in my life, both financially and professionally, where I really need to take things to the next level. This is why I’ve chosen to use the Osho Zen Tarot deck, which is my go-to deck for shadow work more existential insight. I’ve showcased it here a few times in the past. The artwork is so vibrant and inspiring while the guidance is focused more on emotions, psychology, mentality, persona. The italicized portions are quotes from the deck’s guidebook, which I feel are relevant to the subject matter.
Over the last year or so, I’ve infrequently posted status updates about my Book of Shadows as well as rearranging my furniture (and life) to make room for an altar. It’s become very clear to me that I need at least one day a week where I can be alone to focus on studying deities and spiritual systems, practicing my craft, connecting with ancestors, enjoying nature, etc. If I don’t take that time to recharge, I really get into trouble. Though I’m a Gemini sun who needs a bit of spontaneity, I really am at my best when there’s structured playtime, if I can call it that.
With all the reading I’m doing, I’m slowly identifying what I believe in spiritually so that I can build my practice up from there. Reconnecting to nature and wildlife, I really want to observe the wheel of the year as much as possible relating to the Sabbats. While I don’t identify as Wiccan, I very much desire to have a nature-celebrating practice and trend toward a panenthesitic view. That is to say, I believe the Divine, God, Spirit, is separate from us humans, but is very much in nature, the elements, and a variety of other experiences. Animism is also a big part of my belief system and I’m slowly feeling along those roots, if you will, to see where they go. Because of my love for nature and animals, I really want to incorporate as much of the Wheel of the Year as possible.
Coming up on Fall, I’ve decided that my first proper go will be for Mabon. At the end of this post will be the links (videos) I have been going through to put together my game plan for celebrating Mabon. Feel free to check them out as there is lots of information on lore and deities as well as activities like tarot spreads, crafts, and spell work.
When I began considering titles for this post my first inclination was to use the term “reconcile”, but in a context similar to reconciling one’s transactions in their bank book. Since this is going to be about a relationship, I don’t want the presumption to be that the relationship has been queued up for replay. A legal term popped into my head: Affirm.
A couple days ago, I saw on Instagram a snippet of a quote that really grabbed me: “I don’t regret the love I gave because you probably needed it.”
Before diving into my first reading with the DFO deck (pictured above), I want to talk about Khadijah. While I make it very clear that I’m head over heels about the artwork in this deck, this card in particular is at the very top of my favorites. Her pose, her power, her style, her age. It fits so well with her story, but is also a perfect example of what I see in my mind’s eye when I think of an empowered, respected, successful woman. As a woman who not only has her own business, but comes from a line of women who have done the same, I find that Khadijah resonates deeply with me. Meeting her at this time in my life is really magickal, in my eyes, as there are still things I want to achieve professionally, but also desire to start a family of my own. While working on this unboxing post and the previous comparison post, her card was one of the first that stood out to me. She’s hard to miss! In fact, when I would shuffle, select, or arrange the cards, her card kept reappearing.
I honestly didn’t who she was prior to looking her up in the guidebook. It has inspired me to learn more about her though and I wish more people knew of her as I think that would really go far in combating discrimination and stereotypes. This, in and of itself, is one of the prime examples of why I believe in and support a deck like this that seemingly approaches these revered figures with tremendous love and respect.
When I first began shuffling, it was a bit awkward as the matte finish of the cards forces a change in how my fingers need to work. Practice makes perfect and as time went on, I found the rhythm. Prior to this, I had cleansed under the moon the scarf you see beneath the cards and then slept with the deck under my pillow. A delightfully clean blend of Rosemary and Spearmint was burning through the evening and as I did this reading.
I was so happy to finally purchase The Divine Feminine Oracle deck. When it arrived on Tuesday, I couldn’t wait to unpack it and explore. This is such a grown up collection. That probably sounds really bizarre, but I feel it’s accurate. You have the deck you might get your kid or young teenager (though even then I might question that) to introduce them to different names and faces and stories. And then you have this one. I look at the quality of the imagery, the power of it. I examine the guidebook and read the care and consideration put into the entries. This is the deck you buy for seriously connecting with the spirit and knowledge offered here.
These are not caricatures visually or contextually. The background and information provided hasn’t been run through a Disney machine to sanitize everything with rainbows and smiley faces. Each individual gets about a three page write up that includes a bit of background, symbolism, cultural impact, as well as a meditative phrase and intention. This is a grown up deck. Rather than classify this as a sunny-side-of-the-street deck, I’d rather say that its tone is inline with its purpose and overall it is very motivating.
There’s quite a nice age range featured here as well, beyond the big three of maiden, mother, and crone. A woman’s age and how that impacts her appearance is (unfortunately) such a large part of the psyche. It’s refreshing to see older faces glowing with vivaciousness rather than being so weathered and perhaps diminished in spirit. For me at least, I think a person’s inner vitality is reflected a lot in their expression and demeanor regardless of age. When it comes to artistic representation of that, society’s prejudices about women who are older can dim the glow or dull the magnetism. Happy to report that every Goddess here presents powerfully, however their definition of power manifests.