Unboxing: The Goddess Oracle by Marashinsky and Janto

Finally found some time to do an unboxing of The Goddess Oracle by Amy Marashinsky and Hrana Janto. This is my third goddess-focused deck with the other two being the Goddess Guidance Oracle and the Divine Feminine Oracle.

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Straight out of the gate there is one major difference between this deck’s guidebook and the guidebooks of the others. It’s written for an audience that wants to work with deity or already does. Now, this doesn’t mean this is a requirement to use this deck, but rather that there’s quite a large chunk of content that is ritual-focused. I mentioned this in my condensed IG post about this deck that I think anyone who is Pagan, Wiccan, a Witch, anyone who connects with or wishes to invoke Goddesses is going to really get along well with this set.

There are some ritual basics outlined in the introductory section of the book like casting a circle and getting grounded. I really dig the emphasis on exposing the reader to different elements and styles of ritual and then encouraging them to make their own, to individualize their rituals in general. It’s like Roger Horne said in his Folk Witchcraft book (paraphrasing here), magick and ritual that is not personalized can be rather hollow.

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Women’s Empowerment and Divination: Comparison of Goddess Guidance and Divine Feminism Oracle Decks

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Last year, I purchased Doreen Virtue’s Goddess Guidance Oracle deck (GGO). Since then, I have done a few posts about it and occasionally a reading. It wasn’t long after that I made the decision to replace it with The Divine Feminine Oracle (DFO) deck by Meggan Watterson. While the cards I drew from the GGO resonated with me for those situations, I still felt put off by the guidebook. Even when I stopped bringing the book out altogether and started diving straight into my own research, there felt like this wall in between me and the deck.

The Back Story

I bought the GGO (and then decided to buy DFO) because for most of my life I haven’t had many positive female influences. The women who raised me were all powerful in certain ways, but very dysfunctional. Some were very much not who I should have looked up to as role models for how to function in relationships or even how to interact with my self. Through ancestor work and my love of learning about different cultures, I wanted a deck focused on feminine energy with deities, archetypes, and heroes that could help me grow in places that were neglected. Obviously, this is why I was so disappointed in how GGO handled introducing the strong female identities.

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